Tranny Potter and the Chamber of Death Threats

This is the second post in a series; the first can be read here.

In the penultimate passage of her TERF Wars essay, J. K. Rowling rejects the label of victim: “The last thing I want to say is this. I haven’t written this essay in the hope that anybody will get out a violin for me, not even a teeny-weeny one. I’m extraordinarily fortunate; I’m a survivor, certainly not a victim.” The distinction between the label of survivor and that of victim is the difference between activity and passivity, but each comes with the implied existence of an aggressor – a villain.

Narratives of aggressors and targets (a term I’ll generally be using here as a more neutral alternative to victim/survivor) run through the essay, the most prominent being the narrative of Rowling as target of online harassment. She identifies this harassment as beginning when she clicked “like” on a certain tweet:

All the time I’ve been researching and learning, accusations and threats from trans activists have been bubbling in my Twitter timeline. […] On one occasion, I absent-mindedly ‘liked’ instead of screenshotting. That single ‘like’ was deemed evidence of wrongthink, and a persistent low level of harassment began.

Continue reading “Tranny Potter and the Chamber of Death Threats”

Tranny Potter and the Contentious Tweets

Despite being transgender myself, I tend not to write a great deal about trans-related topics. That’ll change soon, as I could hardly let 2020 end without some sort of commentary on what must surely be the year’s most widely-read essay on transgender matters: the 3670-word blog post formally entitled “J. K. Rowling writes about Her Reasons for Speaking out on Sex and Gender Issues” but more widely known as the “TERF Wars” essay, after a phrase Rowling used when linking to it on Twitter.

Much has already been written about this essay since Rowling published it back in June, and given that the post recently won its author a Russell Prize for Best Writing, I doubt that debate will be ebbing any time soon. But while I can’t promise I’ll be saying anything exactly groundbreaking about the piece, I can at least attempt to discuss it in as much depth as I can.

My plan is to run a series of blog posts – lasting into 2021 – that use J. K. Rowling’s TERF Wars essay as a gateway to the Augean stable that is mainstream transgender discourse (particularly mainstream British transgender discourse). Each post in the series will examine a different aspect of the essay, with one question above all others in my mind: how did we end up here?

Continue reading “Tranny Potter and the Contentious Tweets”