You won’t find a writer who lacks their fair share of bad habits, and Lord knows I’ve got mine. One is my tendency to hit on an idea for a non-fiction book (generally related to fantasy, horror and science fiction) and start work on it, even when I’ve already got a number of similar projects on the boil.
These are the books that were in progress when I came into 2021…
Thoughts & Fears: Essays on Horror and Culture The idea here was to gather together my blog posts about horror media, with some original writing on the side. The complicating factor? That original writing required me to delve into some very deep rabbit holes. Right now I’m working on an essay about the early horror fiction of Whitley Strieber, in relation to his claims to have been abducted by aliens…
Last week I looked at the first two issues of the retro-flavoured British indie comic Sentinel, graciously provided in PDF by the creative team. Since then I’ve had a look at the next two issues, which feature two more self-contained stories scripted by writer Alan Holloway.
Paul Spence draws issue 3’s story “A Fare to Remember”, which is a comedic tale even sillier than the first issue (which, as a reminder, starred a Han Solo-like character who fired his friend’s detachable testicles from a slingshot). The plot deals with the bitter rivalry between two alien taxi companies, a feud that grows worse still once organised crime gets involved.
By now, anyone who keeps up with SF/F disputes online will have heard more than enough about the controversy over violent political rhetoric being posted at Baen’s Bar (the currently-offline forum of publisher Baen Books). But there’s one thing about the whole scuffle that’s been sticking out for me: just how utterly inept the case for the defence has shown itself to be. There’s a considerable amount to say here about how Internet arguments tend to devolve into scapegoating, so I’ve decided to take a closer look.
First, a bit of background. When it was active, the Baen forum was viewable to registered members only, so any discussion there went on behind closed doors unless a member decided to bring it to wider attention. in January this year, the prominent science fiction blog File 770 reported on a particularly incendiary message from the forum, while a Twitter user screencapped a number of similar posts (see here, here, here and here).
As you can imagine, this led to a degree of concern about the forum’s contents and it was only a matter of time until somebody decided to investigate the board and write an article about it. Author Jason Sanford was the person who happened to step up to the task, publishing an article on 15 February about violent rhetoric at Baen’s Bar; and, naturally, it was Jason Sanford who was attacked with volley after volley of ad hominem arguments.
One of the most recent manifestations of this was an attempt to smear Sanford via his fiction, something I wrote about here, here and here. This was merely the latest in a long line of attacks on his person, however.
I’m proud to announce that the second issue of Midnight Widows is now available! I teamed up with artist Marcela Hauptvogelova, colourist Jio Butler and letterer Rob Jones to create it, and each of us poured our heart into the project. If you’d like to get hold of both issues in PDF form, then place a donation via Ko-Fi or Patreon! If you’d like to know more about the comic, well, it now has its own dedicated page on my site…
Last month I wrote an article for WWAC about indie creators who are trying to revive the format of classic British comics. One title I mentioned was Sentinel, although for reasons of time and space I wasn’t able to go into much detail.
Since then, the people behind Sentinel have got in touch and provided me with PDF copies of the series. So far I’ve read the first two issues, both of which are scripted by Alan Holloway and drawn by Ed Doyle (although the first also has a co-plotter in Melanie Bagnall). Sentinel has sixty-odd pages per issue, with an average of two panels a page; this format might be a little strange to modern readers, but it was once very common in the UK (and, indeed, still survives in the venerable old war comic Commando).
The story in Sentinel’s first issue is an offbeat space opera romp starring a Han Solo-like character who finds an unlikely Chewbacca: a small (but hard-as-nails) round furry creature with detachable gonads – which, as fortune has it, are just the right size to fit the roguish hero’s slingshot. The two get into various scrapes in the bars and prison cells of alien worlds, evolving from enemies to friends along the way. The story has a charming straightforwardness to it, like a parody comic drawn by a group of giggling schoolchildren.