It’s Wednesday, so here’s another entry in my Killer Horror Critic series about the history of werewolf cinema. This time I’m arriving in the sixties, when Hammer gave lycanthropy a full-colour makeover in The Curse of the Werewolf. Read on…
Past instalments:
- Wolfblood (1925)
- Werewolf of London (1935)
- The Wolf Man (1941)
- The Mad Monster (1942)
- The Undying Monster (1942)
- Frankenstein Meets the Wolf Man (1943)
- Return of the Vampire (1943)
- Cry of the Werewolf (1944)
- House of Frankenstein (1944)
- House of Dracula (1945)
- She-Wolf of London (1946)
- Abbott and Costello Meet Frankenstein (1948)
- The Werewolf (1956)
- I Was a Teenage Werewolf (1957)
- Daughter of Dr. Jekyll (1957)
- How to Make a Monster (1958)