Just in time for Halloween, WWAC has the latest instalment in my decade-by-decade history of vampire fiction. This time, I’m looking back at the sixties and seventies, where I find not only Interview with the Vampire but an earlier, rather less successful attempt to give vampires a makeover — courtesy of the TV tie-in market. Read on…
If you haven’t yet read the earlier posts in the series (which now have a combined wordcount of 28,500) here is where you can catch up:
Part 1: Two Centuries of Blood — John Polidori’s “The Vampyre” (1818); Cyprien Bérard’s Lord Ruthwen ou les Vampires (1820)
Part 2: The Feminine Touch — Théophile Gautier’s “La morte amoureuse” (1836); Elizabeth F. Ellet’s “The Vampyre” (1849)
Part 3: Deconstructing the Vampire — Charles Wilkins Webber’s Spiritual Vampirism (1853); Paul Féval’s Le Chevalier Ténèbre (1860)
Part 4: Carmilla and Company — J. Sheridan Le Fanu’s Carmilla (1871-2); Anne Crawford’s “A Mystery of the Campagna” (1886)
Part 5: Enter Count Dracula — Bram Stoker’s Dracula (1897)
Part 6: An Occult Dawn — M. R. James’ “Count Magnus” (1904); Sax Rohmer’s Brood of the Witch-Queen (1918)
Part 7: Dion Fortune’s Demon Lover — Dion Fortune’s The Demon Lover (1927)
Part 8: In the Shadow of Hollywood — Henry Kuttner’s “I, the Vampire” (1937); Irina Karlova’s Dreadful Hollow (1942)
Part 9: Atom-Age Vampires — Richard Matheson’s I Am Legend (1954)
